The installations of the Norwegian artist Børre Sæthre revel in the minimalist aesthetics of our collective visualization of a future world, groomed as it is equally by the existential modernism of stage sets like Stanley Kubrick’s 2001: A Space Odyssey and the promise of a better future through the brochure rhetoric of technological progress. Sæthre immerses the viewer into this unconscious void, which he has refashioned to underscore the future of loneliness that lays just beyond that “one giant step for mankind”.