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Vue ELDORADO Nari Ward MUDAM Remi Villaggi Mudam Luxembourg 16

Eldorado

Artists

Marina Abramović
Emmanuelle Antille
Fikret Atay
Joe Baldwin
Stephan Balkenhol
Vincent Beaurin
Valérie Belin
Andrea Blum
François Boisrond
Erwan & Ronan Bouroullec
Heath Bunting
Daniel Buren
Robert Breer
Cai Guo-Qiang
Jesse Chapman
Etienne Cliquet
Claude Closky
Nitzan Cohen
James Coleman
Marc Couturier
François Curlet
Richard Deacon
Mark Dean
Wim Delvoye
Pierre-Olivier Deschamps
Michel Desvigne
Frédéric Druot
David Dubois
Mary Dunning
Tullio Forgiarini
Charles Fréger
Maurizio Galante and Tal Lancman
Gaylen Gerber
Jack Goldstein
Michelle Grabner
Hervé Graumann
Konstantin Grcic
Anne-Marie Herckes
Charles Irvin
Paul Kirps
Peter Kogler
Mark Lewis
Léa Linster
Eric Maillet
Jean-Christophe Massinon
Aleksandra Mir
Cercle Ramo Nash
Bruce Nauman
Ott + Stein, Oliver Peters
Albert Oehlen
Philippe Parreno
Ieoh Ming Pei
Joao Penalva
Stephen Prina
Tobias Putrih
Tale of Tales
Tyson Reeder
Pipilotti Rist
Kay Rosen
Sam Salisbury
Frédéric Sanchez
Fernando Sánchez Castillo
Joe Scanlan
Adrian Schiess
Julian Schnabel
David Shrigley
Sancho Silva
Thomas Struth
Martin Szekely
Joël Tettamanti
Bert Theis
Laure Tixier
Su-Mei Tse
Javier Vallhonrat
Didier Vermeiren
Andy Warhol
Nari Ward
André Weisgerber
Bill Woodrow
B. Wurtz
Zhou Yi
Rémy Zaugg
Heimo Zobernig

Design and artistic direction

Marie-Claude Beaud
Björn Dahlström
Clément Minighetti
Mónica Portillo
Louis Bestgen
Valérie Conrot
With the Mudam team

Guest curators

Claude Closky
Jean-Louis Froment
Maurizio Galante and Tal Lancman
Gaylen Gerber
Mark Lewis
Léa Linster
Frédéric Sanchez

Documents
Eldorado
Eldorado front 540x
Buy online

Eldorado: a search
“Eldorado” is first of all an adventure, the search of a treasure, that of imagination:
“A museum as ideal dwelling place. An undetermined space devoted to the imaginary through an interactive relationship between architecture, interior spaces and a historical site, and which plays out the functionalities, uses and conventions that govern the representation of art, its definitions, its observation and certainly the entirety of its experiences.The exhibition stirs up the works, and therein lies its true value“ (Jean-Louis Froment, for the exhibition catalogue “Eldorado”).
“Eldorado” is supported by all these - artists, art lovers, key figures from the cultural and political scene - who, for the last fifteen years, have worked towards the museum project in Luxembourg, seeing the light of day. The exhibition invites the public to discover the venue “from the cellar to the attic” where around sixty artists have contributed, and to participate, each in an individual way, in this creation and in this development of a place of dreams and desires that Mudam represents.

Eldorado: a poetic distance
The exhibition covers many facets of expression which artists are currently using: photography, painting, drawing, video, new media, fashion, design, graphics, sound, architecture, sculpture. It shows the relationships that the different techniques have with each other and displays their coherence and how they complement each other in relation to themes that the artists transpose in their contemporary works. Mudam keeps a close eye on changes in these practices as part of its duty. Art is the expression of a poetic distance from the world, going beyond the tools which are used - the question of technique no longer matters:
“It is through that same polyphony where all artistic sonorities simultaneously merge the moment they are brought forth that these objects present the inaugural history of the museum“(Jean-Louis Froment, for the exhibition catalogue “Eldorado”).

Eldorado: the taste of art
The museum offers visitors many different experiences, not only things to see, but also to hear, to ponder, to feel and to taste. The aim is to pass on to those who adventure into the exhibition in the search for their own Eldorado, a taste of art: an art which they can take with them into their daily lives.

Eldorado: a scenario
Mudam wants to break the classic contract to which the visitor is too often tied during their museum visit. As soon as visitors enter the reception, they are invited to leave their “baggage” and let themselves be seduced by the diversity of what is on offer, spread over the three levels of the building: everyone’s visit is personal.

Eldorado: an architect
The architect, Ieoh Ming Pei, organised the 4.800 m2 of exhibition area over three levels. Modernist, his architecture, with geometric shapes, pure and monumental, is conceived in a manner which offers an ideal space to present works and artistic interventions. Pei does not attempt to dominate art, but rather tries to direct visitors towards contemplating the works: through his choice in materials; by the use of light adapted to different uses, and which differs from one floor to the next, and even from one room to another; and through sound which inspires visitors during their route through the different exhibition rooms. He thinks that movement is very important, and so he has created a building in which the visitor can choose his own route freely. This stroll around is all the more fluid due to the spaces and floors being linked up by the many stairways and intersections.

Eldorado: an adventure
Level 0: “Seduction” is the key word right from the entrance. Surrounding the notions of conviviality, deconditioning, community, roots and education, the museum displays works which can be monumental, or totally intimate, calling attention to the exhibition spaces. Level 1: Focusing on the specific questions about the steps an artist takes, that’s to say, a painter, the collection pieces are arranged with the works of the guest artists, invited by the curator.
Level -1: From the auditorium to the galleries, the moving image, through new technologies and the history of cinema, this level reveals some exceptional and rare works, which nourish the soul of those who dare adventure there.

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Vue ELDORADO Nari Ward MUDAM Remi Villaggi Mudam Luxembourg 12
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