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Mudam Akademie. Weaving, repairing, transmitting: textile art and sensitive ecologies | LU

When
Where Mudam Auditorium
Related exhibition Ivan Cheng: Casemates
In Resonanz mit

Igshaan Adams: Between Then and Now

Sprache

LU

Zugang

Zyklus von 10 Vorträgen: 100€ Normalpreis | 50€ Mudam Karte für 2 | 25€ Kulturpass 
Gasthörer, pro Sitzung: 10€ | 5€ Mudam Karte für 2
Kostenlos für Studierende und unter 21-Jährige

Anmeldung erforderlich

Kompletter Zyklus: mudam.com/rsvp-akademie
Gasthörer:  visites@mudam.com ; +352 453785-531 oder direkt am Museumsempfang
Vorbehaltlich Änderung oder Absage

An invitation to immerse yourself in the world of modern and contemporary creation.

The Mudam Akademie offers an introduction to modern and contemporary art, showing how artists of the past and the present act as inventors of aesthetic universes, as well as catalysts and interpreters of major societal events.

In direct dialogue with Mudam’s wide-ranging exhibition programme, this lecture series demonstrates that the museum seeks to be an open space that remains attentive to the world’s transformations. Accessible to both, newcomers and more experienced audiences, the Mudam Akademie aims to make art history approachable for everyone.

The Mudam Akademie is organised in collaboration with the Ministry of National Education, Children and Youth.

This series is conceived and led by Fanny Weinquin.


Session 5 – 11.02.2026 
Weaving, repairing, transmitting: textile art and sensitive ecologies 
In dialogue with Igshaan Adams 
Through practices of weaving, thread, knotting and repetition, many contemporary artists value artisanal skills, care practices and communal narratives. This session explores textile as a material that embodies postcolonial language, as well as a tool for repair and a medium that reifies traces of collective memory. 


Biography

Fanny Weinquin is a Belgian-Luxembourgish art historian and independent curator, whose practice unfolds at the intersection of heritage, contemporary creation and societal issues. Trained in Brussels and Bologna, she has worked in Belgium, France, Estonia and Luxembourg, where she will join the curatorial team of Villa Vauban in 2025. Shaped by a hybrid cultural identity and a cross-border perspective, her curatorial approach explores the connections between memory, sensitive ecologies and exhibition contexts. 

Igshaan Adams, ‘Gebedswolke’, 2021–23 © Igshaan Adams. Courtesy the artist, Thomas Dane Gallery and blank projects. Photo: Mario Todeschini
Igshaan Adams, ‘Gebedswolke’, 2021–23. Courtesy the artist, Thomas Dane Gallery and blank projects. Photo: Mario Todeschini

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