Mudam Akademie: Moving images: cinema, memory and alterity | In dialogue with Tiffany Sia | FR
| When |
– |
| Where | Mudam Auditorium |
| Related exhibition | Tiffany Sia: Phantasmatic Screens |
| In Resonanz mit | |
| Mit | Boyd van Hoeij |
| Sprache | FR |
| Zugang | Zyklus von 10 Vorträgen: 100€ Normalpreis | 50€ Mudam Karte für 2 | 25€ Kulturpass |
| Anmeldung erforderlich | Kompletter Zyklus: mudam.com/rsvp-akademie |
An invitation to immerse yourself in the world of modern and contemporary creation.
The Mudam Akademie offers an introduction to modern and contemporary art, showing how artists of the past and the present act as inventors of aesthetic universes, as well as catalysts and interpreters of major societal events.
In direct dialogue with Mudam’s wide-ranging exhibition programme, this lecture series demonstrates that the museum seeks to be an open space that remains attentive to the world’s transformations. Accessible to both, newcomers and more experienced audiences, the Mudam Akademie aims to make art history approachable for everyone.
The Mudam Akademie is organised in collaboration with the Ministry of National Education, Children and Youth.
This series is conceived and led by Fanny Weinquin.
Session 3 – 10.12.2025 – Single session, In conversation (FR)
Moving images: cinema, memory and alterity
In dialogue with Tiffany Sia – Phantasmatic Screens
How do contemporary artists use video to explore history, exile, diasporic imagination or collective memory? This session proposes to reflect on expanded cinema, the deconstruction of national narratives and the potential of the image to represent states of temporal instability. It highlights intersections between research, visual essay and cinematic experimentation.
Biographies
Boyd van Hoeij has been responsible for programming at the Cinémathèque of the City of Luxembourg since late 2022. Prior to his current position, he served as artistic advisor to the Luxembourg City Film Festival, chaired the Selection Committee of the Luxembourg Film Fund, and worked as a critic for leading specialist film publications such as Variety and The Hollywood Reporter. His reviews are now published by Screen. He has taught film criticism and conducted scene-by-scene analyses of cinema classics in countries as diverse as Lithuania, Ireland, Portugal, Hungary and the United States, and has led masterclasses with, among others, Todd Haynes, Quentin Tarantino, Asghar Farhadi and Luca Guadagnino.
Fanny Weinquin is a Belgian-Luxembourgish art historian and independent curator, whose practice unfolds at the intersection of heritage, contemporary creation and societal issues. Trained in Brussels and Bologna, she has worked in Belgium, France, Estonia and Luxembourg, where she will join the curatorial team of Villa Vauban in 2025. Shaped by a hybrid cultural identity and a cross-border perspective, her curatorial approach explores the connections between memory, sensitive ecologies and exhibition contexts.