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Screening of "William Kentridge. Anything Is Possible"


Mudam Auditorium
In conjunction with the exhibition

William Kentridge. More Sweetly Play The Dance




53 min


8€ (access to the exhibitions included)


Fully booked!

Limited admission

Subject to modification or cancellation.


Face mask mandatory.
Physical distancing must be respected.

William Kentridge: Anything Is Possible gives viewers an intimate look into the mind and creative process of the South African artist whose acclaimed charcoal drawings, animations, video installations, shadow plays, mechanical puppets, tapestries, sculptures, live performance pieces, and operas have made him one of the most dynamic and exciting contemporary artists working today. With its rich historical references and undertones of political and social commentary, Kentridge’s work has earned him inclusion in Time magazine’s 2009 list of the 100 most influential people in the world.

This documentary features exclusive interviews with Kentridge as he works in his studio and discusses his artistic philosophy and techniques. In the film, Kentridge talks about how his personal history as a white South African of Jewish heritage has informed recurring themes in his work – including violent oppression, class struggle, and social and political hierarchies. Additionally, Kentridge discusses his experiments with "machines that tell you what it is to look" and how the very mechanism of vision is a metaphor for "the agency we have, whether we like it or not, to make sense of the world.” We see Kentridge in his studio as he creates animations, music, video, and projection pieces for his various projects, including Breathe (2008); I am not me, the horse is not mine (2008); and the opera The Nose (2010), which premiered earlier this year at New York’s Metropolitan Opera to rave reviews.

William Kentridge - Anything Is Possible (2010)
Created and produced by: Susan Sollins


Susan Sollins (b. 1939, – d. 2014) has been well known in the field of contemporary art for more than 30 years for her innovations in public programming and museum education, and as a curator. In addition to her work for many art institutions as a curator and consultant, Sollins was the co-founder and Executive Director Emerita of Independent Curators International (ICI), a nonprofit organization that develops, organizes, and circulates traveling exhibitions of contemporary art. Sollins was formerly the Visual Arts Consultant for Thirteen/WNET‘s Emmy and Peabody Award-winning arts magazine, City Arts; served on the Boards of the MacDowell Colony and ICI; and has been a panelist for the NEA, NYSCA, and New York’s Percent for Art program.She founded Art21 in 1997 and served as executive director for seventeen years. She was the executive producer and curator through seven seasons of the organization’s flagship PBS-broadcast series, Art in the Twenty-First Century.

Charles Atlas (b. 1949) is a filmmaker and video artist who has created numerous works for stage, screen, museum, and television. Atlas is a pioneer in the development of media-dance, a genre in which original performance work is created directly for the camera. Atlas worked as filmmaker-in-residence with the Merce Cunningham Dance Company for ten years. Many of Atlas’s works have been collaborations with choreographers, dancers, and performers, including Yvonne Rainer, Michael Clark, Douglas Dunn, Marina Abramovic, Diamanda Galas, John Kelly, and Leigh Bowery. Works include Television Dance Atlas, The Hanged One, and Merce Cunningham: A Lifetime of Dance. For the latter, he was awarded Best Documentary Award at Dance Screen 2000 in Monaco. His work has been shown at international institutions, including the Whitney Museum of American Art, New York; the Museum of Modern Art, New York; Musée National d’Art Moderne, Centre Georges Pompidou, Paris; Institute of Contemporary Arts, London; the Museum of Contemporary Art, Los Angeles; and Stedelijk Museum, Amsterdam.

Production still from "William Kentridge. Anything Is Possible", 2010
© Art21 Inc