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The monumental sculpture Nude Wing (2011), a new arrival in the Mudam Collection, forms part of a string of works by Fiona Banner aka The Vanity Press (1966, Liverpool) in which the British artist appropriates and transforms military aircrafts, or parts of them. Taken from a Tornado combat aircraft, the wing used to create Nude Wing has been polished to such a degree that its immense surface reflects every detail of its surroundings – the space and the visitors within it. It stands vertically, like a monolith rising to the sky. Installed in the Grand Hall, the six-metre-high sculpture interacts with Ieoh Ming Pei’s impressive glass and stone structure and the variations of light that suffuse it. In its reflections, the wing appears almost alive, yet undefinable, echoing the ambiguity of the experience we have of it. ‘That we find these planes beautiful brings into question the very notion of beauty, but also our own intellectual and moral position,’ the artist observes. ‘I am interested in that clash between what we feel and what we think.’
Biography
Fiona Banner aka The Vanity Press (1966, Liverpool) has had solo exhibitions at HMKV, Dortmund (2022); De Pont, Tilburg (2022 and 2017); Kunsthalle Nürnberg (2016) and Tate Britain, London (2010). Her work has been shown in group exhibitions at the Herbert Art Gallery & Museum, Coventry (2023); the Museum of Contemporary Art, Busan (2023); the State Hermitage Museum, Saint Petersburg (2021); the Walker Art Center, Minneapolis (2019); the International Print Center, New York (2018) and the Seoul Olympic Museum of Art (2017). Her work is included in the collections of institutions such as the Contemporary Art Society, London; the Museum of Modern Art, New York; the National Gallery of Canada, Ottawa; the British Council; the Tate, London and the Van Abbemuseum, Eindhoven. Fiona Banner aka The Vanity Press lives and works in London.