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Mudam Akademie. Bodies in action: feminist art, gender and identity politics | LU

When

What
Public
Where
Mudam Auditorium
Language

LU

Access

Cycle of 10 conferences : 100€ tarif normal | 50€ Mudam à 2 Card | 25€ Kulturpass 
Auditors (per session): 10€ | 5€ with Mudam à 2 Card
Free for students and under 21

Booking required

Full cycle: mudam.com/rsvp-akademie
Drop-in participants: visites@mudam.com; +352 453785-531 or directly at the museum reception
Subject to change or cancellation

An invitation to immerse yourself in the world of modern and contemporary creation.

The Mudam Akademie offers an introduction to modern and contemporary art, showing how artists of the past and the present act as inventors of aesthetic universes, as well as catalysts and interpreters of major societal events.

In direct dialogue with Mudam’s wide-ranging exhibition programme, this lecture series demonstrates that the museum seeks to be an open space that remains attentive to the world’s transformations. Accessible to both, newcomers and more experienced audiences, the Mudam Akademie aims to make art history approachable for everyone.

The Mudam Akademie is organised in collaboration with the Ministry of National Education, Children and Youth.

This series is conceived and led by Fanny Weinquin.


Session 4 – 14.01.2026 
Bodies in action: feminist art, gender and identity politics 
In dialogue with Eleanor Antin – A Retrospective 
This session traces the history of feminist and queer artistic practices, emphasising the performativity of the body, critique of representation norms and self-staging as a political tool. It also examines how these critical gestures are passed on to contemporary generations.


Biography

Fanny Weinquin is a Belgian-Luxembourgish art historian and independent curator, whose practice unfolds at the intersection of heritage, contemporary creation and societal issues. Trained in Brussels and Bologna, she has worked in Belgium, France, Estonia and Luxembourg, where she will join the curatorial team of Villa Vauban in 2025. Shaped by a hybrid cultural identity and a cross-border perspective, her curatorial approach explores the connections between memory, sensitive ecologies and exhibition contexts.

Monika Sosnowska, ‘Stairway’, 2010. Joëlle Tuerlinckx, ‘Collages THEORY OF WALKING -série ‘TOUT CE QUI N'EST / ALLES WAT NIET IS / ALL THAT IS NOT’’, 1996-2012. Charlotte Posenenske, ‘Vierkantrohre (Square Tubes)’, 1967/2019. Joëlle Tuerlinckx, ‘Salle ‘TOUT CE QUI N’EST / ALLES WAT NIET IS / ALL THAT IS NOT’, (échelle 1:1) + 9 objets ‘1M3’’, 2012. Collection Mudam Luxembourg. Donation 2023 – Gaby et Wilhelm Schürmann avec le soutien des membres du Cercle des collectionneurs du Mudam Luxembourg. View of the exhibition ‘Radio Luxembourg: Echoes across borders’, Mudam Luxembourg. Photo: Mareike Tocha © Mudam Luxembourg
Monika Sosnowska, ‘Stairway’, 2010. Joëlle Tuerlinckx, ‘Collages THEORY OF WALKING -série ‘TOUT CE QUI N'EST / ALLES WAT NIET IS / ALL THAT IS NOT’’, 1996-2012. Charlotte Posenenske, ‘Vierkantrohre (Square Tubes)’, 1967/2019. Joëlle Tuerlinckx, ‘Salle ‘TOUT CE QUI N’EST / ALLES WAT NIET IS / ALL THAT IS NOT’, (échelle 1:1) + 9 objets ‘1M3’’, 2012. Collection Mudam Luxembourg. Donation 2023 – Gaby et Wilhelm Schürmann avec le soutien des membres du Cercle des collectionneurs du Mudam Luxembourg. View of the exhibition ‘Radio Luxembourg: Echoes across borders’, Mudam Luxembourg. Photo: Mareike Tocha
© Mudam Luxembourg