Lecture by Clément Minighetti, curator of the exhibition at Mudam.

Distinguished by its radically open-ended nature, Charlotte Posenenske's sculpture, drawing and painting embraced reductive geometry, repetition and industrial fabrication. Posenenske developed a form of mass-produced Minimalism that addressed the pressing socioeconomic concerns of the 1960s, circumventing the art market and rejecting established formal and cultural hierarchies.