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Frédéric Prat

In the pictorial research carried out by Frédéric Prat (1966), coloured forms are deployed on the painting surface and are articulated in relation to monochrome backgrounds although their variation does not constitute an issue and they do not lead to a given interpretation. In fact, the spectator cannot discern a commentary nor any symbolism. On the contrary, the painting, freed of any reference or contingencies of composition, expresses its presence as an object. Its format allows it to be apprehended at once, entirely and in detail. The painting defines itself above all as a place, which allows the free gaze of the viewer, and opens a volume of thoughts.

Artworks

  1. Frédéric Prat Bleu, 2007

    Acrylique sur toile
    220 x 200 cm
    Collection Mudam Luxembourg
    Acquisition 2007
    © Photo : Rémi Villaggi

  1. Frédéric Prat Gris, 2007

    Acrylique sur toile
    160 x 200 cm
    Collection Mudam Luxembourg
    Acquisition 2007
    © Photo : Rémi Villaggi

  1. Frédéric Prat Jaune, 2007

    Acrylique sur toile
    240 x 200 cm
    Collection Mudam Luxembourg
    Acquisition 2007
    © Photo : Rémi Villaggi

  1. Frédéric Prat Sans Titre, 2001

    Huile sur toile
    160 x 200 cm
    Collection Mudam Luxembourg
    Donation 2006 - José Ensch, Membre de l’Institut Grand-Ducal, section Arts & Lettres
    © Photo : Nosbaum & Reding – Art Contemporain, Luxembourg

  1. Frédéric Prat Vert, 2007

    Acrylique sur toile
    200 x 240 cm
    Collection Mudam Luxembourg
    Acquisition 2007
    © Photo : Rémi Villaggi

Marina Abramović, "Video Portrait Gallery", 1975-1998 | Collection Mudam Luxembourg | Acquisition 2001
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