Frédéric Prat
In the pictorial research carried out by Frédéric Prat (1966), coloured forms are deployed on the painting surface and are articulated in relation to monochrome backgrounds although their variation does not constitute an issue and they do not lead to a given interpretation. In fact, the spectator cannot discern a commentary nor any symbolism. On the contrary, the painting, freed of any reference or contingencies of composition, expresses its presence as an object. Its format allows it to be apprehended at once, entirely and in detail. The painting defines itself above all as a place, which allows the free gaze of the viewer, and opens a volume of thoughts.
Artworks
Frédéric Prat Bleu, 2007 Acrylique sur toile
220 x 200 cm
Collection Mudam Luxembourg
Acquisition 2007
© Photo : Rémi Villaggi
Frédéric Prat Gris, 2007 Acrylique sur toile
160 x 200 cm
Collection Mudam Luxembourg
Acquisition 2007
© Photo : Rémi Villaggi
Frédéric Prat Jaune, 2007 Acrylique sur toile
240 x 200 cm
Collection Mudam Luxembourg
Acquisition 2007
© Photo : Rémi Villaggi
Frédéric Prat Sans Titre, 2001 Huile sur toile
160 x 200 cm
Collection Mudam Luxembourg
Donation 2006 - José Ensch, Membre de l’Institut Grand-Ducal, section Arts & Lettres
© Photo : Nosbaum & Reding – Art Contemporain, Luxembourg
Frédéric Prat Vert, 2007 Acrylique sur toile
200 x 240 cm
Collection Mudam Luxembourg
Acquisition 2007
© Photo : Rémi Villaggi